Virginia specializes in techniques that were mastered by the Venetians and held as closely guarded secrets for centuries. Working as a team with her husband Tony, she has developed her art to incorporate various types of simple and complex glass canes as the decorative medium on her forms. What follows are linear and threadlike patterns that dance and sway on shimmering works, captivating the imagination and stimulating wonder in the viewer.
I feel a magical connection to the entire process of blowing glass. My spirit is nourished and enthralled by the fiery glow of the furnace as it transforms silica sand into clear molten crystal at 2400/F. The substance itself, a kind of primordial, slow-moving liquid, capable of being formed and molded with the breath of life, inspires in me a wellspring of creative energy. To transfer such energy takes exact timing and balance, a fluidity and adaptability of movement not unlike that of molten glass itself; in a very real sense, the artist must become one with the glass. In the end, the glass cools, and what was a dynamic, creative process becomes, in essence, frozen in time; and nothing is more fulfilling than looking at a finished piece and being able to sense my energy suspended within.
“Nature’s colors and shapes whisper softly into my pieces. Patterns of creation subtly inform my work. My rods of glass have been compared to strands of DNA, the building blocks of life itself. I find it fitting to use them exclusively in my works that are molded by my experiences and inspired by my dreams.”
Virginia’s glass has been exhibited widely in both juried and invitation only exhibitions within Canada and the United States. She is represented in private and public collections throughout North America and abroad.
More about Virginia Toccolino’s glass work can be found at http://www.galacticglass.ca/